7 of the Best Blowjob Tracks in Hip Hop

There isn’t a man alive who doesn’t love to get their dick sucked and that’s a straight up fact. I love it, you love it even motherfucking Bill Clinton loves it. So in celebration of man's greatest invention, I decided to pick out 7 of the best blowjob tracks Hip-Hop have to offer. So sit back, unzip your pants and enjoy.

                                                                                                                                              

7: 2 Live Crew – Baby Baby Please (Just a Little More Head):

Album: Sports Weekend (As Nasty as they Wanna Be Part II)

Label: Luke/Atlantic Records

Year: 1991

Baby Baby Please (Just a Little More Head) is from the often overlooked and underrated Sports Weekend (As Nasty as they Wanna Be Part II). Brother Marquis and Fresh Kid Ice decide to take a trip down memory lane and reminisce about the first time they received head. It’s a silly simple track that always leaves a grin on my face, especially with lines like “I remember the first time I got a blowjob/you know what I mean, when she slobs on bob” and Mr Mixx’s cuts which are just brilliant. If this track was done by anyone one else this track wouldn’t make the list, but because of their 2 Live charm they make the list.

                                                                                                                                              

6: Akinyele – Take a Lick:

Album: Aktapuss

Label: Volcano

Year: 1999

Everyone and there grandmother has listened to Akinyele’s ‘Put it in your Mouth’. However everyone seems to forget the hilarious and often overlooked ‘Take a Lick’.

The track has Akinyele going head to head against a woman who refuses to suck the Anakonda. Rather than back down, or act submissive, Akinyele attacks the situation head on. Telling her by the end of the night he will be doing Bobby Brown Push-ups (which is when she sucks your dick while doing push-ups). All hope seemed loss until Akinyele took a bold and daring move. Akinyele offered to eat her pussy if she sucked his dick. Such boldness was unheard of; however she took the bait and for the rest of the night they 69'd, its straight out of a fairy tale!

                                                                                                                                              

5 & 4 N.W.A. – Just Don’t Bite It & She Swallowed It:

As if these two wouldn't be on the list! N.W.A’s ‘Just Don’t Bite’ & ‘She Swallowed It’ are nasty ass classics.

Album: 100 Miles and Runnin'

Label: Ruthless Records

Year: 1990

Just Don’t Bite It’s intro is literally just a woman sucking on Eazy-E’s dick, directly followed by a faux advertisement for The Art of Sucking Dick. Production for sounds like it’s taken straight from a 70’s porno flick. Ren comes on point sharing two tales of raunch and debauchery, first verse is very much a set-up for verse two, reminiscing about high school and a chick who wouldn’t give him the time of day.

This leads right into the second verse in which MC Ren proceeds to blackmail her into sucking his dick! However the villainous personality that is MC Ren doesn’t stop there.

The third verse has MC Ren straight up manipulating a drunken woman into sucking his dick. Playing the long game, Ren sits there and listens to her boring ass stories and keeping her drunk until dawn. Where he takes her to the restroom to have her suck on his dick before she sobers up and regrets it!

Album: Efil4Zaggin (also known as Niggaz4Life)

Label: Ruthless Records

Year: 1991

She Swallowed It is very much a sequel to Just Don’t Bite It, it uses the same samples of Skillet & Leroy & Lawanda and Just Ice for the chorus but switching up the production for a more gangsta feel rather than a porno ones.

While the production may be more gangsta Ren’s lyrics are nastier than ever! In She Swallowed It MC Ren decides to ditch on a date that wouldn’t put out and join in on 5 strangers having a gangbang. That doesn’t sound like much until you find out the chick is the local preacher’s 14 year old daughter! MC Ren is a straight up Villain.

                                                                                                                                               

3: Too $hort – Blowjob Betty:

Album: Get In Where You Fit In

Label: Jive Records

Year: 1993

Too $hort’s ‘Blowjob Betty’ can be considered more concentrated version of ‘Freaky Tales’. Rather than talking about the numerous women he’s fucked, Too $hort decided to take 5 minutes and reminisce about the infamous Blowjob Betty.

Blowjob Betty is bitch that loves to suck dick and was damn good at it. Following the old pimp motto “The Game is to be Sold not Told” Too $hort decides to pimp her out. However things don’t pan out to well as she breaks the ultimate pimp commandment, and that is not to give out the pussy for free. So in true Too $hort style he drops the bitch.

The song escalates to an insane level by the end of the song. 6 months later he bumps into her still doing her thing and gets her to suck his dick right then and there. Now here is where it gets crazy, he then proceeds to cum in her throat causing her to choke to death! This is one of the only songs in history where a sex related death occurred that wasn’t HIV related.

                                                                                                                                              

2: Disco Rick & The Dogs – Lick It:

Album: The Dogs

Label: JR Records

Year: 1990

There is not much you can say about this track apart from the fact that Disco Rick & the Dogs are the most underrated Miami Bass group in existence. When you open a track by emphatically yelling “NOW LICK THAT DICK BIIIIITCH” and jump straight into a parody of Devo’s ‘Whip It’ with samples of Leroy & Skillet & Lawanda playing throughout the track, you get on this list. This is a grossly overlooked Miami Bass classic that deserves your attention.

                                                                                                                                              

1: Willie D Feat. Rasir X & Sho – Throat:

Album: Play Witcha Mama

Label: Wrap Records

Year: 1994

When it comes to Blowjob tracks nothing beats Willie D’s Throat. The track opens with Willie D casually talking seductively like a Barry White from 5^th Ward, Texas. However in true Willie D fashion rather than beating around the bush he gets straight to the nitty gritty letting you know he wants a woman who can “Suck a nut, chew a little butt” and all that good shit. Immediately afterwards you are thrown straight into the chorus with a man emphatically singing “Take my manhood/deep throat baby like a woman should/why don’t you show me how good it can be/taking all of me”. The track itself is absolutely hilarious, with Willie D, Rasir X & Sho coming in with absolutely genius, downright dirty dick sucking lyrics. However Rasir X steals the show with probably the greatest metaphor in human history, “Got mouth sopped like a mop/ when it comes to dick slop, she don’t waste one drop”. I will also tell you this right now, the chorus of this song will guarantee you getting your dick sucked, Willie D decided to take the subliminal approach and have the chorus literally be “Throat, throat, throat, throat on”. Hands down greatest blowjob track there is!

Weird Moments in Hip-Hop History: The 1st Annual Rappers Boxing Championship

Remember when Willie D knocked out Melle Mel? No?

Well it happened!

The year was 1992. Bill Clinton was to become the 42^nd President of the United States, Mike Tyson would be found guilty of rape charges and antique seller/boxing promoter Gary Braverman would help put together the 1^st (and only) Annual Rappers Boxing Championship.

What was the 1^st Annual Rappers Boxing Championship I hear you ask?

Well the 1^st Annual Rappers Boxing Championship was a charity boxing event held at the 369^th Regiment Armory in Harlem.

It was put together by Step To Productions as part of the ‘A Healing in Harlem” memorial movement. Which was set up in honour of the 9 people who were trampled to death during the stampede at CCNY in 1991. (which was at a rapper’s charity basketball event set up by Heavy D and Puff Daddy)

All proceeds of the fight would go to ‘Give a Kid a Dream’ which is an organisation that provides kids from disadvantaged backgrounds a place to learn and train boxing. Rappers would be trained by professional boxers Iran Barkley, Buddy McGirt and Kevin Kelley.
Hip-Hop greats like Chuck D, Jam Master Jay and Afrikaa Bambaataa turned out to watch the event and give their support to the charity.

Skip to 6 minutes to see coverage of the event

So who fought in the event?

The matches included Prince Ikey C fighting Spanish Fly, Kurtis Blow taking on Awesome D The Wall Street Rapper, Freddie Foxxx (AKA Bumpy Knuckles) beating down Spook Blunt of True Culture and Big B fighting Poet of PHD (better known as Blaq Poet of Screwball).

There was supposed to be a match between Dres (of Black Sheep) and Scoob Lover (One of Big Daddy Kane’s dancers). however, neither one showed up! but it can be safely assumed Dres fled the scene after encountering a Strobelite Honey.

Finally (and most importantly) there were the two headlining matches known as the of the East Meets West bouts.

The first match as you would have guessed by now was between Grandmaster Melle Mel and Willie D of The Geto Boys, for the East Meets West Hardcore Heavyweight Championship Belt. Although the event itself may sound great it actually turned out quite embarrassing and this was due to three reasons. The first is that the bout lasted a little bit more than a minute, second is that neither was able to land a clean punch, and third is that the TKO occurred when they accidently banged heads! Unequivocally confirming, Willie D as the most hard-headed MC on planet Earth.

While the idea of Willie D knocking down Melle Mel sounds like an amazing moment, it was not the greatest thing to happen that night. That would go to the final match.
After a full year of shit talking and berating the West Coast, Tim Dog would finally put his money where his mouth is and take on Dope-E of The Terrorists to prove once and for all which coast is the best coast in a fight for the East Meets West Hardcore Super Heavyweight Championship Belt.
Well, that is if he had actually turned up! Yes, in true Tim Dog fashion he bailed on a charity to avoid bruising his body and ego. (he would then go on to give himself the title of Hardcore on his 1993 Sophomore effort Do or Die)

With Tim Dog backing out from the fight, Dope-E would win by default. However Freddie Foxxx was having none of that. Even though he had just finished a fight and was suffering from a sprained right shoulder Freddie Foxxx volunteered to take Tim Dog’s place and represent the East Coast. Even with a busted right shoulder Freddie Foxxx would end up humiliating Dope-E and win by unanimous decision. To top it all off he would then call out Tim Dog for writing a song called ‘Step to Me’ and not show up to a fight.

Truly, Freddie Foxxx is a man you should never want to fuck with.

Just as a side note it’s extremely bizarre that neither West Coast representative in the East Meets West fights is actually from the West Coast. They both are from the South, with Willie D being from Houston, Texas and Dope-E from South Park, Texas.

5 of the Biggest Dick Moves Pulled By Tommy Boy Records

It’s not surprising when records labels pull some shit, but it sucks when it happens and it always hurts their artists and their audience as a result.

It’s a fact Tommy Boy Records put out some of the best Hip-Hop artists during their bid in the 80’s and 90’s. Naughty by Nature, Digital Underground and De La Soul, just to name a few. However this doesn't exempt them from shit they pulled back in the day (and even more recently), shit that would piss you off, shit that would make you say "Fuck you Tommy Boy Records". Shit Like…

                                                                                                                                              

5: Kicking Paris from their label

Paris didnt like George H. W. Bush or cops and it would be this dislike that would ultimately end up getting him kicked from Tommy Boy.
When Bush started the Gulf War, Paris got pissed off. Taking pen to pad he wanted to persuade american voters in the up coming election not to vote for Bush and he did this by writing the extremely controversial “Bush Killa” in which he vividly describes how he would kill George H. W. Bush, citing his racist policies, potential reptilian background and bullshit war as his reasoning. Seriously he was pissed, check out the inside sleeve of the album.

He would eventually re-realease Sleeping with the Enemy with THIS as the album cover

Along with this there was also “Coffee, Donuts & Death” another vivid tale of Paris’s outing to kill corrupt cops. These tracks were extremely violent & confrontational to the point which they withheld the release indefinitely. Then along comes the Ice-T “Cop killer” controversy, scaring the shit out of Tommy Boy Records and causing them to drop Paris, so rather than stick to their guns and support freedom of speech they decided to drop him.
However Paris would end up getting the last laugh as the free publicity surrounding the controversy of his album led him to sell close to half a million copies!

                                                                                                                                              

4. Kicking Live Squad from their label

Another victim of the “Cop Killer” controversy was unfortunately Live Squad.

Live Squad were a rowdy group from Queens, New York, it composed of Stretch (whom you may remember for his production on Tupac’s first three albums), Majesty and DJ K-Low. This group was hard; too hard in fact that Tommy Boy dropped them as a result in 1993. They would only ever release one single through Tommy Boy called “Murderahh/Heartless"

Yes that's a bullet

Along with a music video for "Murderahh" which literally opens with one of the guys randomly deciding to shoot a teenager who was walking on the footpath.

The thing that sucks the most about this is that the group was fucking talented; their production was intense, their lyrics were extremely dark and gritty, and their delivery was straight up menacing!
Once again this is another situation where Tommy Boy Records was too scared to support their roster and dropped them instead.

You know what the biggest kick in teeth is? On Their single “Murderahh/Heartless” they give a shout out to Tommy Boy for the support.

They would eventually release Game of Survival in 2001 on Grand Imperial Records; however it is more a collection of demo’s and incomplete tracks recorded while they were signed to Tommy Boy but it’s definitely worth a listen if you can find it.

                                                                                                                                              

3. Offering no support for Biz Markie

Biz Markie AKA the Clown Prince of Hip – Hop is a legend, his simple yet infectious lyrics, fantastic beat boxing and overall light hearted personality made him a house hold favourite. So it was exciting to here that after 10 years of one off singles and guest appearances, The Diabolical Biz Markie would be coming back with Weekend Warrior; however it was going to be done through Tommy Boy Records. This was in 2003 when Tommy Boy Records was bleeding whatever they could from their roster, with an endless onslaught of CD re-releases and greatest hits, so it wasn't surprising when Tommy Boy Records did nothing to back or promote the album. For Tommy Boy it was them milking whatever they could from a washed up has been by spending as little as possible, which is a shame because it’s a good album, it won’t outshine his catalogue on Cold Chillin’ but it deserved much more support than it got.

The saddest part about this whole thing is that this would be Tommy Boy Records last proper Hip-Hop album before fully transitioning into a much more pop and House oriented label. So rather than a swan song to those who supported Tommy Boy Records back in the day it was a big middle finger.

                                                                                                                                              

2. Fucking Over Freshco and DJ Miz

Freshco and DJ Miz had so much hype behind them, Freshco and Miz were World Champion MC and DJ respectively back in 1989 (this was also the same event where Miz and DJ Aladdin would pioneer the art of beat juggling) they received a lot of love from so many hip hop artists like, Guru, MC Lyte, Notorious BIG and MC Serch. They had built up a reputation as the most vicious MC/DJ combination. Seriously listen to this!



So what did Tommy Boy do that was bullshit?

They didn't market them, and part of it came from the fact they didn't know how to!

Most other artists on Tommy Boy had their gimmicks, Digital Underground had their west coast party vibe, Naughty by Nature was the hardcore group with the mainstream appeal, Stetsasonic was the first ever Hip Hop Band and Freshco & Miz were Freshco & Miz.

Freshco was 100% MC and Miz was 100% DJ. So rather than helping them build publicity or release an album or even another single to build hype and help nurture and build their fan base, Tommy Boy Records decided to drop them from the label.

There is a documentary you can check out on the rise and fall of Freshco & Miz made by Freshco himself here.

                                                                                                                                              

1. Shamelessly milk their audience

Throughout Tommy Boy Records career they shamelessly sucked dry whatever they could from their artists and milk their audience for all their worth. They did this by issuing absolute garbage compilation albums, like MTV Party To Go (releasing 15 volumes), Freestyle Greatest Beats (releasing 7 volumes) and ESPN Presents Jock Jam (releasing 4 volumes), and this is only the compilations with numerous volumes, they have released compilation albums from WCW to fucking Keeping Up With the Kardashians.

However the most offensive bullshit they ever pulled was between 2005 and 2006 when they released Tommy Boy Presents: Hip Hop Essentials 1979-1991. 

Don't Buy This!

This was a 12 volume mess designed to exploit those nostalgic for old school hip hop. The track selection is not bad, however they re-used several artists throughout the compilation in order to pad out the volumes as much as possible and reduce effort on who to put on the album. As a result they completely neglected classic artists like Pete Rock & CL Smooth, Tuff Crew, Above the Law and the Geto Boys or even the aforementioned Paris or Freshco & Miz.

It’s also not possible to say they wouldn’t put artists like Geto Boys on the compilation because they are too violent, due to the fact arists like N.W.A, DJ Quik and 2 Live Crew appear on the compilation.Which leads to the biggest problem about this whole fucking mess of a compilation album. All the fucking songs are CENSORED. This is a compilations that contains tracks like Sweet Black Pussy, Fuck Compton, Fuck The Police and numerous others.

There could not have been a clerical error where the censored version was released by accident and that’s because a lot of the censored tracks don’t have a censored version, so this means Tommy Boy Records actively butchered the songs so they can avoid a parental discretion sticker, which is bizarre as they never censored the word “Bitch”. It was shameless, petty and absolute dick move to those who bought it unaware that the tracks were censored.

Fuck you Tommy Boy Records.

Got Beef? 10 of the Best Diss Tracks the World Forgot!

Since the dawn of man, there has been beef. Men and women duking it out with each other over petty bullshit that no one but the two people beefing would care about, and no genre exemplifies that and glorifies that more than Hip Hop.

Nas Vs Jay-Z

Bad Boy VS Death Row

Tim Dog VS Everyone

And with beef always came diss tracks. Rappers fighting it out on the mic to see who could talk the most shit about the other rapper, tracks like “Real Muthaphukkin G’s” or “Fuck Compton”, but what about the diss tracks that fell to the dark side of the moon, the ones everyone never new existed? Come with me as I take you through ten of the best diss tracks the world forgot.

                                                                                                                                              

10: MC Antoinette – Lights Out, Party’s Over

Album: Who’s the Boss?

Label: Next Plateau Entertainment

Year: 1989

Targets: MC Lyte & Audio Two

When you ask people to name classic diss tracks MC Lyte’s “10% Dis” is a name that will almost always come up. A dope track attacking a MC for biting an Audio Two beat, but who was this mysterious MC? Not many seem to remember and no name is ever mentioned in the song. Well the person in question was MC Antoinette, to which she responded with the pun track “Lights Out, Party’s Over”. MC Antoinette’s braggadocios lyrics, in-your-face attitude and rough voice make “Lights Out, Party’s Over” stand toe to toe with “10% Dis”.

The best thing about this entire track has to be the fact she basically bit the tune of the chorus from “10% Dis” just to piss off Lyte!

Mad quote: “You’re a lightweight; it’s easy to dump teeth, A 10% Dis? How bout 100% beef!”

Now it should be noted that this track was written in 1989. This was a time when diss tracks were quite tame in terms of insults and personal attacks. The flood gate for aggressive diss tracks wouldn’t open until 1991 with Tim Dog’s “Fuck Compton”. Speaking of Tim Dog…

                                                                                                                                              

9: Tim Dog – Bitch With A Perm/The Dog Baby

Album: N/A

Label: Dis-Stress Records/Talkin’ Loud

Year: 1994

Targets: Snoop Dogg & Dr Dre

The Track was a response to Dre Day. Was it necessary? Nope! But Tim Dog always has to get the last word in.

In all honesty Bitch With A Perm is a fairly disappointing track apart from the chorus which is hard as fuck: “Bitch with a perm, bitch with a perm, I don’t give a fuck about a bitch with a perm” - I could listen to that on loop all day.

The other track, The Dog Baby, fairs a lot better, production is much tighter and the way he opens it is pretty slick, biting the opening words from “Dre Day”

This diss gets its props for the single cover. Imagine, this fucking single was sold in record stores; people would walk in and see this cover. He wanted to lament the fact that he was dissing Snoop before you could even put the needle to the groove! For fucks sake, the fact that he formed a record label called Dis-Stress Records just to slam it into your head that he was dissing Snoop Dogg.

Mad Quote: “I heard your mother was a dope fiend, and your father was a dick fiend!”

                                                                                                                                              

8: Kokane Feat. Cold 187um – Don’t Bite the Phunk

Album: Funk Upon A Rhyme

Label: Ruthless/Relativity

Year: 1994

Targets: Dr Dre, Snoop Dogg & The DPG

This is probably the only diss track in existence where the artist has every right to be pissed off. When Dr Dre’s Chronic was released in 1993 he was heralded as the pioneer of G-funk. When in reality it was Cold 187um who laid down the blueprints for the G-funk sound, which he never received credit for. Wanting to get the diss track out as fast as possible, Cold 187um decided to put it on Kokane’s Funk Upon A Rhyme which was released in april rather than on Above the Law’s Uncle Sam’s Curse which was released in July.

Apart from Cold 187um’s criticism of Dre biting his sound the track echo’s sentiments made in “Real Muthaphukkin G’s”. Claiming Dr Dre is a fake gangsta, criticizing his involvement in World Class Wrecking Cru and the abusive behaviour of Suge Knight. He also takes shot at Kurupt because of his verse in “Puffin’ on Blunts and Drankin on Tanqueray” which opened with a diss towards Cold 187um.

Even though it’s on Kokane’s album it’s clear that its Cold 187um diss, taking up a majority of the track leaving Kokane enough time to diss the DPG and call Snoop, Dr Dre’s bitch for writing all his rhymes.

Mad Quote: “Yo try to diss me to get respect, but you (Kurupt) sound like a motherfucking Redman Reject!” 

                                                                                                                                              

7: Freddie Foxxx – Crazy Like a Foxxx (Beef is On)

Album: So Tough Single (1994) – Crazy Like A Foxxx (2008)

Label: Flavor Unit Records/Epic (1994) – Fat Beats (2008)

Year: 1994

Targets: Ultramagnetic MC’s

The main reason most people weren’t aware this diss track existed, is because it almost didn’t! Crazy Like A Foxxx was supposed to be released through Flavor Unit Records/Epic Records but was shelved for no reason. So apart from appearing on the B-Side of his So Tough single and the eventual release through Fat Beats in 2008, the track fell into obscurity.

The beef came about because of the track “Yo Black” by Ultramagnetic MC’s on their album The Four Horsemen, in particular the line “how can you put up a fox against an alligator”. Freddie took it as an attack against him and shot back with “Crazy Like A Foxxx”. For the most part the track is your standard affair “your wack, im great, ill fuck you up etc.” Up until the second half of the third verse, in which he talks about how he’s going to kill Ced Gee, Moe Love & Kool Keith. I assume TR Love is spared so he can spread the word on the horrors witnessed.

Mad Quote: “Then I drag him (Kool Keith) in the alley and I hit him in the head with the glock, piss in his face ‘cause I’m crazy like a foxxx!”

                                                                                                                                              

6: Pooh Man – Bring it 2 Em

Album: Judgement Day

Label: Scarface Records/Righteous Records

Year: 1993

Targets: Ant Banks & Too $hort (and to a lesser extent the whole Dangerous Crew)

Don’t let the name fool you, Pooh Man is someone you should never fuck with. This is exactly what the Dangerous Crew did, holding out on money they owed him. As expected Pooh Man got pissed off and jumped ship, leaving Jive Records and signing onto Paris owned Scarface Records.

First thing you should do when preparing to listen to this track is ensure no one is standing in front of you, this shit is a straight up head banger. The intensity of the production is only matched by the intensity of Pooh Man’s delivery, attacking Ant Banks credibility as an MC, essentially claiming he didn’t write any of his own rhymes (which actually turned out to be true!). Questioning Too $hort’s sexuality and over all dissing the Dangerous Crew.

Is anyone else confused as to why he was signed to Scarface?

Mad Quote: “Damn you’sa borderline bitch, as far as getting pussy fool you getting dick!”  

                                                                                                                                              

5: B.G. Knocc Out & Gangsta Dresta – D.P.G/K

Album: Real Brothas

Label: Outburst Records

Year: 1995

Targets: The Dogg Pound

This is less a diss track and more a “we are going to fucking kill you the next time we see you” track. The track is a result of both their loyalty to Eazy E and a response to DPG’s What Would You Do? This is a no nonsense track, they don’t poke fun, they don’t fuck around, they straight up say we are going to kill you. Along with the production behind the track which is slow and menacing and the chorus which is just Dresta name checking all the members of the DPG, makes this track a heavy hitter.

Another thing to note is the music video for this track. While the DPG track had Nate, Daz and Kurupt partying and driving around, BG and Dresta’s music video is them sitting around a table in an empty factory planning how they are going to fucking kill them.

This track is just plain scary.

Mad Quote: “A fake is what I hate, so fuck Kurupt, Daz and Nate!”

                                                                                                                                              

4: Luke Feat. Bustdown & JT Money – Pussy Ass Kid & Hoe Ass Play

Album: I Got Shit On My Mind

Label: Luke Records

Year: 1992

Targets: Kid ‘n Play

Beef between Captain Dick and Kid ‘n Play started back in 1991 when Kid ‘n Play dropped “Next Question” attacking Luke and 2 Live Crew for corrupting kids, not putting out a positive message and using their vulgarity and shock value for selling records. It was a weak diss, when you’re Kid ‘n Play you can’t come off as intimidating, even Nice & Smooth were more intimidating and look at their goddamn album cover!

So what does Luke do to respond? He was never a rapper, he was more a hype man doing call and responds (check out Head, Head and more Head if you want to see what I mean). So what did he do? He brings in the two biggest shit talkers from New Orleans and Miami, Bustdown and JT Money. They jump right into it attacking their sexuality, criticising their family friendly image etc.

The chorus is also killer. Asking about Kid ‘n Play followed by following a scratch from BDP’s My Philosophy line “Wick Wick WACK”

You should never fuck with a man who can get laws overturned by Federal Courts.

Mad Quote: “I saw your second House Party and figured, two House Parties for two house ass niggas!"

                                                                                                                                              

3: Choice – Payback

Album: The Big Payback

Label: Rap-A-Lot Records

Year: 1990

Targets: N.W.A, The Geto Boys, Too $hort

The overtly sexually active & dominant Choice’s album The Big Payback wanted to show men that women could get just as down and dirty as the guys not only that she also wanted to show the world that women could go toe to toe against heavy weights of Hip Hop. So what did she do? She targeted three biggest misogynists in Hip Hop, N.W.A, Too $hort and fellow label mates The Geto Boys and boy she stands her ground with this track, straight up emasculating all of them and picking fights with their mama’s. However Choice would end up eating her words in the years to come.

 Mad Quote: “Where did you get the damn midget? Fantasy Island?!”

                                                                                                                                              

2: Willie D – Little Hooker

Album: I’m Goin’ Out Lika Soldier

Label: Rap-A-Lot Records

Year: 1992

Target: Choice

Ultimately Choice’s Payback went unnoticed by everyone she dissed. Everyone except for Willie D. Busy with work with The Geto Boys, Willie D never had the time to respond. Rather than move on, he decided to sit on it for two whole years and what resulted can only be considered as the verbal equivalent of Dr Dre beating the shit out of Dee Barnes. For four and a half minutes Willie D attacks everything from her sex appeal to her rapping skills, questions her gender and much, much more. Choice never released an album after 1992.

Mad Quote: “Cause your granny was a ho, and your momma was a ho too, and then came you! And if dug up the rest of your family roots, I’d find nothing but some bitches and prostitutes!”

                                                                                                                                              

1: Tweedy Bird Loc – What’s Goin’ On

Album: 187 Ride By

Label: Par Records

Year 1992

Targets: N.W.A, Boogie Down Productions, Tim Dog, The DOC, Michel’le, Kokane, Above the Law

Tweedy Bird Loc started out as a Kelly Park Compton Crip, the same as Eazy-E. Being from the same gang he thought Eazy would sign him to Ruthless Records. However Eazy-E refused to sign to Ruthless leaving Tweedy Bird Loc to declare all-out war on anything Ruthless. Along with this Tweedy Bird Loc was violently territorial about Compton and Gangsta rap, if anyone talked shit about either, know full well you would be on his hit list.

The best way to describe this track imagine the rapid fire delivery of Ice Cube on "No Vaseline" with the pissed off, ignorant attitude and lyrics of Tim Dog combined with the breath control of Bushwick Bill. Mix that all together and you get Tweedy Bird Loc’s – "Whats Goin’ On".

This track has it all.

Questions their sexuality? Check!

Fucked their Girlfriend? Check!

Called them Fake? Check!

Called them Sellouts? Check!

Made personal threats? Check!

Made fun of serious moments in their life? Check!

This track is equivalent of a fat raging drunk. It's out of breath, angry and attacking everyone within striking distance.

Mad Quote: “So whats up with you D.O to the C? I heard you got fucked up when you ran into a tree! So now you need your ass wiped, go call the Doctor ‘cause you, Michel’le sound alike!”

Like my facebook page to recieve updates on future articles www.facebook.com/TrentHardwood